December, 2025

“The young woman in front of me, with her little girl in the stroller, raises her head, smiles. She bends over towards the child. Look at the lights, my love!” Annie Ernaux

Today I’m posting something I started writing a little while ago, while I was reading the book presented below, but managed to finish today. The post is shorter than usual, but I’ve been doing things like having blood tests, dentist visits that I had neglected, and things around the house before the end of this year. The book I have written about is by French writer Annie Ernaux, Look at the Lights, My Love / Regarde les lumières, mon amour, and it’s about the hypermarket or supermarket, a space that Marc Augé defined as a “non-place.” The book is in the form of a diary, in which the writer records her thoughts, experiences and observations during her visits to her neighborhood Auchan store between November 2012 and October 2013.

The subject of her study is a “non-place” such as the supermarket, which the author transforms into a lens through which she examines and analyzes modern life, class and gender differences, social identities, consumerism, cheap labour in developing countries, and other realities and issues.The term “non-place” coined by the French anthropologist, Marc Augé, refers to spaces of transience where people remain anonymous, and that do not hold enough significance to be regarded as “places” in their anthropological definition. Examples of non-places would be airports, motorways, shopping malls, supermarkets, waiting rooms, etc. According to Augé, the concept of non-place, where people remain anonymous, differs from the notion of “anthropological place,” where they can meet other people with whom they share social references, and which offers people a space that empowers their identity.

In this book, as in her other books, Ernaux is courageous, insightful, questioning, and always connecting the personal with the political. Her narrative seems to repeat itself, perhaps reflecting the cyclical and repetitive nature of buying and seasons. She does not simply describe, but gives us a testimony of a specific context within a specific time. She records, interprets and analyzes. She tells us that perhaps the spirit of the times decides what is worth remembering, and that only recently have supermarkets been considered spaces worthy of representation in art, even though “…. there is no other space, public or private, where so many people so different in age, income, culture, geographical and ethnic origin, look, move and mingle.”

The book consists of diary entries in which the author records her observations about customers, employees, cashiers, who stand and scan products endlessly like a kind of production belt, the display cases, the products: food, toys, clothes, electronics, books and detergents, prices, commercial traffic during various periods of the year, but also issues related to downsizing and unemployment, the ethnic groups and immigrants she encounters, the organization of the aisles, advertisements, discounts, promotional products, the transformation of holidays into commercial functions, and the small daily human dramas.

For Ernaux, this anonymous space reveals issues of economy, power, gender, desire, and workplace hierarchies. She writes: “The supermarket is indeed crossed by History……. Sociocultural history of taste and fashion, of technology. Geopolitical history of migrations….” She does not only observe others, but situates herself in her narrative, analyzing her purchases, checkout choices, and the brands she chooses. In doing so, she reflects on class, ethnicity, and gender identity. She knows that the supermarket is also a gendered space, where women are often responsible for household or family shopping. Ernaux analyzes the class dimensions of the context she investigates, describing how the contents of the trolleys or baskets reveal social and financial status, and ethnic identity, and how some products signify deprivation and others prestige. She observes how the stalls with discounts and offers attract specific social groups.

She also describes the waiting time at the checkout, where we are very close to each other, observed and observing. The items we leave on the conveyor belt reveal not only our income, but also our eating habits, the structure of our family or household, whether we have pets or not, our interests and habits, our agility or our clumsiness, our kindness and concern for others or our indifference. And when an unknown woman recognizes her, then she feels herself becoming an object of observation and curiosity, as each product in her basket reveals elements of her habits and preferences, her own way of life. The supermarket thus becomes a place where we are all potentially exposed to the gaze of others.

Towards the end of her narrative, Ernaux also talks about the charm of these large shopping spaces and the collective life that unfolds in them, and which may in the future be lost with the spread of online ordering and delivery to the customer’s door. And perhaps today’s children, as adults, will miss Saturday shopping at the super market, just as those over a certain age miss the grocery stores of their old neighborhood. Ernaux’s parents owned a small grocery store and this was a significant part of her childhood and adolescence.

Ursula Le Guin’s writing

This is the treason of the artist: a refusal to admit the banality of evil and the terrible boredom of pain.” From The Ones Who Walk Away from Omelas by Ursula Le Guin

Ursula Le Guin calls “writers who can see alternatives to how we live now, and can see through our fear-stricken society and its obsessive technologies, to other ways of being. We’ll need writers who can remember freedom—poets, visionaries—realists of a larger reality.”

“We will not know our own injustice if we cannot imagine justice. We will not be free if we do not imagine freedom. We cannot demand that anyone try to attain justice and freedom who has not had a chance to imagine them as attainable.” Ursula Le Guin

Α. The Ones Who Walk Away from Omelas by Ursula K. Le Guin

[It’s better to read the story without knowing much about it beforehand]

Today I’ll be referring to a short story / book by Le Guin (1929-2018), considered one of the great American writers and an important female science fiction writer. Winner of multiple literary awards, she also wrote essays, poetry and children’s books, and mainly science fiction, through which she interpreted and allegorically brought to light social reality, contradictions and social dynamics, and the technological and existential challenges of our species.

In 1974 The Ones Who Walk Away from Omelas won the Hugo Award for The Best Short Story. It is a short philosophical story that reads like an allegory or a fairy tale, and by the end of the narrative you realise that it’s one of those stories you will most likely never forget. The story is pure narration, there is no action or character development, and part of it describes the preparations for a summer festival, and the way this joy filled community is set up; however, it is also vague enough to give the reader room to consider their own utopia. It chronicles the lives of the inhabitants of Omelas, a utopian city, where everyone lives with ease, safety, and joy. Le Guin writes: “They were not simple folk, you see, though they were happy……..They did not use swords, or keep slaves. They were not barbarians. I do not know the rules and laws of their society, but I suspect that they were singularly few…… They were mature, intelligent, passionate adults whose lives were not wretched.” In this utopian land everything seems wonderful, except for one horrific detail. The happiness of everyone depends on the torment and severe suffering of a nine or ten year old child.

In the introduction of the book Le Guin tells us that the central idea of this psychomyth, the scapegoat, appears in  Dostoyevsky’s, Brothers Karamazov, and in William James’s, The Moral Philosopher and the Moral Life. She notes that Dostoyevsky framed the question in religious terms, whereas, James framed it philosophically. She writes: “Dostoyevsky’s Ivan asks Alyosha (and us) “Would you consent to carry out the plan, would you accept the happiness, on that condition?” William James asks the same question: “…….. millions kept permanently happy on the one simple condition that a certain lost soul on the far-off edge of things should lead a life of lonely torment, what except a specifical and independent sort of emotion can it be which would make us immediately feel, even though an impulse arose within us to clutch at the happiness so offered, how hideous a thing would be its enjoyment when deliberately accepted as the fruit of such a bargain?

Her story also brought to my mind Shirley Jackson’s famous short story The Lottery, published in 1948 that depicts a small ordinary community conducting its customary annual lottery. This seemingly festive event culminates in the “winner,” or otherwise put the randomly selected scapegoat, being stoned to death by the rest of the villagers, everyone, including the children, who are given pebbles to throw at the victim. This story makes visble the following of tradition blindly, superstition and ignorance, fear of breaking a long held social ritual, societal comformity, and the capacity for violence by seemingly good and repectable people.

In Le Guin’s story the scapegoated child is locked up in an unlit basement. It sits naked in silence and filth, terrified of brooms and mops, fed just enough to remain alive. Sometimes it speaks: “Please let me out. I will be good!” The decription of the abuse and horrors the child faces is actually hard to read. This terrible fact is revealed to everyone in their childhood. Some people visit the child to witness the reality, but no one is allowed to interact with or show the child any kindness, for the sake of the collective happiness. It feels for a little while that Le Guin might even be trying to sway the reader into considering this kind of injustice and cruelty as necessary for the good of the majority. This feels all too true to the justifications and rationalizations made in real life.

Witnessing the child’ suffering impacts people differently, which also feels all too true to real life. Some are indifferent and even willing to contribute some more to the child’s suffering, most simply accept this sad necessity and learn to ignore it, even if they consider themselves good people, and as one can guess from the title, some cannot dissociate this knowledge or forget what they’ve witnessed. Their perception of their utopian city is shattered and they cannot bear the weight of living on the back of a tortured child. They are not willing to make the moral compromise. Le Guin writes: “At times one of the adolescent girls or boys who go to see the child does not go home to weep or rage, does not, in fact, go home at all. Sometimes also a man or woman much older falls silent for a day or two, and then leaves home.” They walk away, but we don’t know where they go or what they find there.

The story has been interpreted in several ways, and probably our interpretations are coloured by our beliefs and experiences, our culture and our readings. It seems fair to say that it refers to the societal practice of scapegoating and the price paid by many for the comfort of others. It could also reflect the community’s need to project its unhappiness, so as to sustain the prosperity of the collective. The fact that the laws of Omelas enforce the confinement of the child could also suggest that societal evil and injustice are institutionalized. Some ask whether the story points to the suffering of Jesus for the rest of humanity. Others suggest that it is pointing towards the way our socioeconomic and political systems are set up, where the happiness and comfort of many depend on the suffering of those outside the economy or political processes, where large numbers of people, children included, and communities, are casualties of unfair and cruel sociopolitical realities. Could it also be an allegory of the mind, the conscious aspects and the unconscious or undesired material pushed down and out of sight or the pain hidden in the basement?

Le Guin offers a profound look at the world and ourselves, and has, in some sense, created a mirror for readers, challenging them / us to think of what a perfect or just society would look like, and what we could accept or tolerate and what we would need to reject if we were to retain our humanity. Inevitably, the topic of guilt also arises, how to live with the guilt of knowing that one lives on the back of others that are suffering, what to do, what is realistically possible. In any case, at the end of our reading we are left with several questions without easy answers: Is a community that hinges on the suffering of one person a real utopia? Where do those who walk away from the city go? Are those involved in the scapegoating process free or are they tethered to their victims? Is the perpetuation of the practice of scapegoating really necessary for groups or societies to flourish or to be happy? What is good and what is evil? What is real happiness?

Β. In the previous two posts on scapegoating I didn’t manage to include references to certain contexts, like psychology training groups or classes, therapy, or group therapy in particular, where scapegoating frequently occurs, but can, if dealt in a skillful and ethical manner, and if the therapist is able to recognise and deter factors that threaten the cohesiveness of the group [e,g, consisrent absences and tardiness, scapegoating, disruptive extra group socialization and subgrouping], provide opportunities for differentiation, integration and growth.

One relevant article is Scapegoating in Group Psychotherapy by J. Kelly Moreno, PhD, at: https://files.core.ac.uk/download/pdf/32428352.pdf

An extract from the Conclusion part of the article:

“Scapegoating is ubiquitous. It occurs in couples, families, organizations and larger social systems. It also emerges in small groups, including psychotherapy ones. Unexplored and unanalyzed, scapegoating is destructive – through projective identification and other defenses one member evidences affects and behaviors that belong elsewhere. When these projections are not reclaimed, damage is done to the scapegoat and the group suffers in the depth and progress of the work. Initially, therapists may be tempted to join the group in targeting or attacking the deviant member. Indeed, as indicated above, some people are not strangers to the group’s projections and, consequently. the missives are easily absorbed. Effective leadership, however. will interpret how scapegoat behavior speaks to similar issues in other group members. In addition, skilled therapists will be able to help scapegoats move beyond a role in which they may be pathologically familiar.”

There’s also the issue of the scapegoating of women, the largest number of humans consistently scapegoated across time. In his TEDtalk Arthur Colman (see previous posts) briefly makes this point. I might return to this in a future post.

C. Finally, a few more things from Ursula Le Guin related to old age, the passing of time, change and diminsishing of things that I’ve been reading these last nine weeks since my father’s passing away at the age of ninety-nine. Being the second youngest he had lived through the death of all his siblings and wife. How did he deal with this reality within him? How did he feel about change, loss, the inevitable diminishing of things, and the nearing of the end of his cycle?

Two poems by Ursula Le Guin:

Ancestry

I am such a long way from my ancestors now // in my extreme old age that I feel more one of them // than their descendant. Time comes round // in a bodily way I do not understand. Age undoes itself // and plays the Ouroboros*……

*The term Ouroboros is derived from the ancient Greek words “οὐρά” (tail) and “βόρος” (that which eats/devours). It comes from ancient Egyptian iconography and depicts a snake or dragon eating its own tail, symbolizing the cycle of life and death, endless creation and destruction, and eternal rebirth.

Leaves

Years do odd things to identity.  // What does it mean to say

I am that child in the photograph  // at Kishamish in 1935?

Might as well say I am the shadow  // of a leaf of the acacia tree

felled seventy years ago  // moving on the page the child reads.

Might as well say I am the words she read // or the words I wrote in other years,

flicker of shade and sunlight  // as the wind moves through the leaves.

In 2010, at the age of 81, Le Guin started a blog, inspired by reading Jose Saramago’s blog. Below is a snippet from her May 2013 post at: https://www.ursulakleguin.com/blog/tag/aging

“All I’m asking people who aren’t yet really old is to think about the ovenbird’s question** too—and try not to diminish old age itself. Let age be age. Let your old relative or old friend be who they are….”

** The ovenbird’s question (small songbird): What to make of a diminished thing? in Robert Frost’s poem, is a metaphor for how to deal with and make meaning of the inevitable loss, change, and decay in life and art.

PART 2                                                          

“To survive, the myths we embrace will surely not rest on the old ways of scapegoating and isolation.” Arthur D. Colman / Up from Scapegoating

“In a very real sense, then, individual and collective development are inextricably intertwined.” Arthur D. Colman

“I do not believe any thoughtful person today can continue to believe that human and world survival is located within a frame that sees individual improvement alone as the unit of change and hope.” Arthur D. Colman

As I mentioned in the previous part of this thread on group dynamics and scapegoating type processes, there are many different aspects to these phenomena and they have been studied in different fields. Also, the mechanism of scpegoating has been studied in different contexts like families, which was my focus in the first part of the previous post, classrooms, workplaces, sports teams, political parties, educational and health contexts, all the way up to state organizations and institutes. Therefore, one could view the theories and observations as complementary and contributing to the broader understanding of this particular mechanism and other group dynamics at a micro and macro level. In today’s post I’ll be mostly referring to Girard’s theory of mimetic desire, scapegoat theory and realistic group conflict theory, among other related topics and material. I am aware that I cannot do justice to all these ideas and topics in two posts, even in two lengthy posts, and I’m not an expert on the topic. I simply hope that perhaps I can provide a little food for critical thought, the same way that the new and old material I’ve been (re) reading has provided for me.

Most things I’ve been reading on scpaegoating make some sort of reference to Rene Girard’s work, so today I’ll begin this post with a brief reference to his theory and ideas. Rene Girard (1923-2015) was a French academic, literary critic, historian, philosopher of social science, and writer of nearly 30 books. He is best known for his theory of mimetic desire and his examination of scapegoating, and has combined literary criticism, philosophy, theology, history, psychology, anthropology and mythology to study contemporary social phenomena and human behaviour.

His theory of mimetic desire basically suggests that humans imitate each others’ desires, and this often leads to rivalry. He claims that desire is not autonomous, but mimetic, meaning humans desire what others desire, and since many individuals desire the same object or status, this then leads to competition and conflict. His theory facilitates our understanding of envy, bullying, (inter) group hostilities and rivalries all the way up to warfare. When mimetic rivalry escalates it can threaten social cohesion or group unity. Girard explores the mechanisms societies have used to maintain order or to remain united, and has explored the  mechanism of scapegoating. Societies, since antiquity, have responded through what he terms as ‘sacred violence,’ which is destructive, but can temporarily dissipate conflict and restore order, a kind of social regulator.

In his book The Scapegoat he explores how communities and groups choose a victim / s to blame for collective problems and conflicts, and uses his theory of mimetic desire to reveal the complex dynamics behind social violence, suggesting that at its core human societies are built on the unstable or fragile foundation of mimetic rivalry that inevitably leads to conflict or violence, and in order to avoid destructive levels of violence and rivalry, communities channel their collective frustration, fear and aggression towards an individual or group, to restore order, to create a distraction from real causes and problems, and also, to mask the true origins of the conflict or discontent. This violence towards the victims is legitimized through myths that obscure the scapegoat’s innocemce or irrelevance.

Girard’s concept of the scapegoat mechanism involves the projection of the collective blame onto an individual or group. The social ostracism or sacrifice of the scapegoated object temporarily diffuses violence and unrest and unites the community through a common enemy kind of process. Stories and myths function as ideological tools that hide the true dynamics and causes, and justify the violence and injustice, so as to protect the perpetrators’ or the collective’s self image and social status. Girard views the Jeudo-Christian religious texts as important in exposing the violence and immorality of the scapegoating mechanism and in revealing the innocence of the victim. In this sense these religious texts and stories like the crucifixion of Jesus invert traditional myths by protraying the victim as unjustly persecuted, and challenge the sacred violence paradigm.

Critical reflections on Girard’s theory and observations suggest that his interdisciplinary approach demonstrates its applicability across eras and cultures; can faciltitate our understanding of root causes of conflicts and violence; can help us recognize scapegooating dynamics within our personal relationships, small groups and larger systems, and thus, advocate or support social justice causes concerning marginalized groups, for instance; evokes sympathy for the scapegoated, challenges our assumptions on violence and justice; can facilitate our understanding of mythology, Greek tragedies, religious stories, literary works, films and art; can help us become conscious of our mimetic desires or scapegoating. On the other hand, it has been suggested that his focus on mimetic desire oversimplifies the complexity of social phenomena and power dynamics.

Scapegoat theory explains how individuals and groups misdirect their frustration and aggression towards selected objects, often not responsible for their difficulties or crises, providing a sense of relief or justification for negative situations. In an introductory article on scapegoat theory at Zimbardo website: https://www.zimbardo.com/scapegoat-theory-psychology-definition-history-examples/, it is claimed that in contemporary society, scapegoating is recognized as a common group dynamic, observed across multiple contexts, from familial disputes and targeting a co-worker for failures in a project, to societal and political conflicts, and that understanding both the mechanisms and implications of scapegoating is essential for addressing the biases and injustices it perpetuates. The choice of the scapegoat is not random, but influenced by power dynamics and biases in society, leading to unfair vilification of those who are often less powerful. This theory demonstrates how individual psychology and societal structures interact.

As I wrote in the previous piece originally the practice of scapegoating involved transferring the sins or negative aspects of a community onto a chosen animal or person, thus absolving the rest of the group from collective guilt, providing a means of (false) catharsis. But the concept and term has evolved since and has also become a psychological construct used to understand group dynamics, and this understanding took place as scholars began “to critically examine how individuals or groups project their own shortcomings or misfortunes onto others as a way to preserve their own self-esteem or maintain social hierarchies.”

In this article there is reference to the work of French sociologist Émile Durkheim, who in the late 19th and early 20th centuries laid the foundation for understanding collective behavior, and the role of rituals in society, as means to reinforce social cohesion. They also refer to Sigmund Freud’s influence on the development of scapegoat theory via his concept of projection, wherein individuals attribute their own undesirable qualities or emotions onto others. Of course, there is reference to social psychologists, Henri Tajfel and John Turner, who have furthered our understanding group processes and scapegoating through their research on social identity and intergroup relations. Their social identity theory highlights how individuals derive a sense of self-worth from their (in)group membership, and how this can lead to prejudice and discrimination against outgroups, making them scapegoats for the ingroup’s dysfunctions or problems.

Scapegoating can occur in any group setting or system, like organizations, institutes, churches, sports teams, workplaces, schools, etc. In a broader context, political scapegoating is a prevalent phenomenon. Scapegoating involves some level of abuse of power and it is pervasive. It occurs left, right and centre, and can be initiated for many reasons: ideological reasons, for power and resources or out of greed and need to control, to maintain a status quo or consolidate hierarchies, to boost economies and increase profit [consider the war / weapon industry], for false belonging or to gain small or bigger priveleges, and simply ‘for a place in the sun,’ as we say in Greece. Inequality, oppressive systems, ignorance, corruption and lack of transparency, can all foster or lead to these kinds of mechanisms. Politicians and others may blame certain groups, for societal issues like poverty, unemployment or crime rates. Through this manipulation of public opinion and scapegoating of certain communities, they can rally their supporters behind a common enemy, distracting from deeper causes, perpetuating discrimination and social division.

Also, scapegoating keps everyone in place, as the scapegoated individual /s is / are turned into an example of what happens to those that do not comply or remain silent, or those that seek more or different, think critically, and so on. In school settings, students might be targeted for bullying or exclusion. The scapegoating provides a false sense of unity among “the bullies,” allowing them to bond over their shared prejudice while diverting attention away from their own insecurities or shortcomings. I might need to add that scapegoating in the workplace or educational settings may not involve straightforward hostility and aggression, but could consist of more complex, subtle and less visible undermining procedures with far reaching damaging effects.

Stereotyping is another term associated with scapegoating dynamics and it involves holding an oversimplified and genralised view of a group of people, and making assumptions or judgments based on limited information of another person or group. It often provides an easily available concept or description of the ‘Other,’and can lead to or excuse scapegoating and discrimination. In realistic (group) conflict theory (read below) it is proposed that as conflict increases, groups often resort to negative stereotypes and perceptions of the out-group, which often serve to dehumanize the other group and justify aggression and discriminatory behaviors.

Realistic (group) conflict theory is a conceptual framework predicated on the assumption that intergroup tensions will occur whenever social groups compete for resources that are scarce or perceived as scarce (food, natural resources, land, jobs, priveleges and opportunities, wealth, social status, political power, military protection, etc.), and that this competition fuels prejudice and antagonistic attitudes that lead to conflict, rivalries and warfare. Feelings of resentment can arise in situations when only one group wins and the other loses. The belief or perception that the ingroups’ interests are in direct opposition to those of another group fuels negative attitudes and behaviors towards the out-group.

Turkish-American social psychologist, Muzafer Sherif’s (1906-1988) classic study, the Robbers Cave Experiment demonstrated the theory in action.This study illustrated how conflict emerges when groups perceive themselves in competition for resources. In this experiment, boys at a summer camp were divided into two groups, and competition was introduced through various activities. Initially, there was minimal conflict; however, as competition intensified over awards and privileges, hostility between the groups increased dramatically. Some key concepts and processes in realistic conflict theory are: Individuals tendency to favor their in-group (the group they belong to) over out-groups (groups they do not belong to). This intergroup bias intensifies during periods of competition over securing resources. One proposed solution to reduce intergroup conflict is the contact hypothesis, which suggests that increased contact between groups under certain conditions (equal status, common goals, and cooperation) can foster positive intergroup relations.

Realistic conflict theory has offered important insights for understanding and managing contemporary intergroup conflicts, and strategies promoting cooperation between groups through shared goals and reduction of economic disparities. However, while this theory has been very influential, it has, like most theories, also received criticisms for certain limitations. For instance, it has been argued that the complexities of conflict have been over simplified, and that there are other factors at play like ideological and cultural differences or historical criticisms contributing to conflict. And there has been criticism concerning its universal applicability, across all cultural contexts.

Education and awareness about the psychological processes underlying intergroup conflict can help reduce negative attitudes, promote empathy, and reduce conflict. Identifying underlying causes like oppression and resource inequalities, and revealing underlying group dynamics and mechanisms, increases clarity, and by understanding the dynamics of scapegoating, we can abstain from such practices and from seeking belonging through common enemy practices, and work towards creating more inclusive and empathetic environments, where there is more transparency around causes, blame is appropriately assigned and collective responsibility is embraced.

Finally, I will end this post with a couple of short extracts from Arthur Colman’s book (see previous post).

On the process of individuation

“Moreover, what may feel like a hero’s “individuation” journey may also be agroup “setup” of an innocent who carries the sins of others. Sometimes the individual walking on the beach is on a journey that will benefit self and others too, and sometimes he or she will be unwittingly caught in the archetype of the scapegoat for the collective; those heroic solitary walks may at times be more in the service of keeping falsehood alive in others than truth alive in oneself. At the heart of such dilemmas is the tendency to separate the individual from the collective and individual development from collective development. Individuation in the adult may begin in separation from the collective, much as individuation in the young child may begin in separation from the parent(s). But separation from the collective is not the aim of individuation; rather, it is one of the paths some people use to learn more about themselves away from the influences of others. In group relations theory, there is a concept known as “group in the mind” which expresses the ever-present group consciousness of individuals even and especially when they are most isolated and functioning most separately from others. We are always collective entities as much as individual entities.”

On interdependence and situatedness

“Individuals require creative collectives for their fulfillment just as collectives require creative individuals for theirs. It is time that we incorporate this mirroring connection between individuals and the group in all our explorations of human nature.”

On the need for a more balanced approach

“The fall of the Inca Empire is a most poignant illustration of the extreme vulnerability of a collective based on the scapegoat/messiah myth. Despite the complexity of this social and religious system and its focus on social justice, it was dependent on a godlike leader whose murder was ruinous to the whole culture. As [Peruvian novelist, journalist, essayist and politician, Mario Vargas] Llosa, and the colonial history of South America, suggests, that kind of collectivity is no match for one based on individual sovereignty. Neither, however, is the verdict in on the ultimate worth of a system that, along with its predatory nature, elevates the individual and individual consciousness to a kind of religion, which justifies cultural genocide.”

On scapegoating in groups

“Groups will create victims rather than face dealing with diversity and difference….

All organizations work hard, consciously and unconsciously, to protect both the scapegoating process and their chosen scapegoats. Consultants and whistle blowers know too well the great danger of meddling with an entrenched scapegoating system. In the Bible story of the scapegoat, the man who takes the scapegoat into the wilderness is in great danger. In practice, the man who speaks the truth about the scapegoat often shares its fate……. Only very courageous or foolhardy individuals or subgroups can stand up to a powerful victim-creating process. To help an organization, the consultant must refocus attention on how the need for a scapegoat and the choice of victim is a diversion from the deeper collective issues.”